![]() ![]() If it’s a new band with little recognition in NYC, we as promoters can pair them with more meaningful acts to help get their name out there and perform in front of a new audience. We expect artists to do lots of self-promotion on their end using all of their assets, including publicity and street promo, if possible. I think this really depends upon how much awareness there is for an act in the market. Compared to other cities, what's the most important thing that bands need to know about working with promoters and venues in NYC? We think this is the best-case scenario for an act playing on a multi-band bill, because it gives that act the most earning potential. It also gives an accurate depiction of how many people they’re able to draw in the market, as that’s something they should be aware of and work to improve upon. Polling involves asking people which act they’ve come to see. Usually it’s a flat guarantee, percentage of the whole door, or polled-door deal. ![]() What are the most common payment structures that bands will come across at NYC gigs? Luckily, Howie Schnee, co-founder of Creative Entertainment Group (CEG) and longtime NYC impresario whose company promotes over 1,000 concerts a year, is spilling the six secrets to book your next gig in NYC. ![]() Many bands dream of massive success in the Big Apple, but if you're not native to New York, how do you make it there, and by proxy, make it anywhere? It's no secret that NYC venues require a special brand of savvy wit to navigate through promoters, booking agents – even suspicious door guys. Rebirth Brass Band at Nolafunk Crawfish & Music Fest at Governor's Beach Club. ![]()
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